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“The freshmen were so surprising because they were winning many of the games. At one point in the night, I believe they were leading with the game points,” Dela Cruz added. “All the classes did so well. That it was so nerve-wrecking during the results. I almost lost feeling because of how tight all my officers were gripping to each other’s hands. Hearing each category one by one and the placing of each class … it was so close. When we heard who got second the crowd went wild. It was an amazing feeling.”.

Yang said she has struggled to define guiding principles for herself even as she has tried to teach life lessons to her daughter, “I want her to be able to see this society for what it is — one that is full of wolves,” Yang said, “But I don’t necessarily want her to be either vintage sterling silver charm bracelet, novelty charm bracelet, lots of fun charms, ballet dancer, shoes, map of australia wolf or sheep.”, Yang said she is beginning to see the dancing teacher’s offer less as a moral dilemma and more as a purely practical decision, “The system, the pressure, the bribes, it’s all unfair,” she said, “But in the end, the only thing I can do is what’s best for my daughter.”..

Finally, Smuin Ballet seems to have grown up. Even “Carmina Burana” revealed artistic logic in being last in the lineup —— it combined the serial structure of “Dear Miss Cline,” Amy Seiwert’s sassy episodic work that opened the program, with some of the existential heft of the 1975 dance “Return to a Strange Land,” choreographed by Jiri Kylian and first performed by the Smuin Ballet last fall. “Burana,” 19 of Orff’s 24 songs in the cycle, is Smuin’s response to richly rhythmic vocal music largely sung in Latin and dating from the Middle Ages that is parodic, celebratory, profane, bawdy and yearning. It offers a vision of the world, warts and all, and the dancers, in Sandra Woodall’s elegant two-toned costumes, let the movement speak for itself, especially Christian Squires, who tore up the stage up in his Russian-inflected solo “Tanz” without an ounce of flirtation.

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An all-Balanchine repertory season program will feature the late New York City Ballet choreographer’s “Stravinsky Violin Concerto,” “Prodigal Son” and the “Diamonds” movement from his three-act “Jewels.”. Works by Tomasson being revived in the coming season are “Haffner Symphony” (Mozart) and “Trio” (Tchaikovsky), as well as the evening-length “Swan Lake” (2009 version, after Petipa) with music by Tchaikovsky.