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Public Art Walls is an exhibition program presented by the Brentwood Arts Commission in the Brentwood Community Center, highlighting artists and art organizations throughout Brentwood. For more information, call 925-516-5364. Sketching group meets Mondays in Brentwood. BRENTWOOD — Artists are invited to attend an informal weekly figure sketching group hosted by local artist Big Al Lopez. The group meets most Monday evenings, 6 to 9 p.m. at CR Framing, 700 Harvest Park Drive. Models are clothed, often in colorful costumes from the world of dance and theater. Sessions feature a series of short, creative poses ranging from two to 20 minutes. Drop-ins are welcome, no registration required.

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Harrell returned for a single encore, an exquisite traversal of Chopin’s Nocturne in C-sharp minor in a transcription for unaccompanied cello. Nelson’s program also yielded a beautiful orchestral performance of Brahms’ Fourth Symphony. The conductor took a spacious view of the opening movement, eliciting its melodic richness and lyrical warmth in a reading that never lacked for a strong rhythmic profile. The Andante unfolded at a leisurely pace, and was the more eloquent for it. The Scherzo surged with energy, the woodwinds once again coming to the fore; with principal flutist Maria Tamburrino sounding first-rate in the finale’s lovely flute solo, Nelson brought the performance to a glowing close.

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While la Cour liked most of what she saw of the opera, she did have one quibble. “After the performance I went up to Irene [whom she had introduced herself to only a couple hours earlier] and said, ‘I’m sorry, I don’t need a job but the choreographer who did the dance, and those dancers, are awful! Take it out of your opera, it’s such a disaster! You’re wasting people’s time and money!’ ”. She went on to inquire why the former Met Opera star hadn’t just picked up the phone and sought her expertise, since Ballet San Jose was “just down the street” from the opera’s then-home, the Montgomery Theater.